Her direction here wisely emphasizes the actors, and possibly overdoes it with the mirrors — lotta symbolically reflective surfaces and isolating frames within frames — but there’s never the sensation that the person behind the camera is winging it.
—
David Fear,
Rolling Stone,
26 June 2026
Alexander’s staging occasionally overdoes the comic exuberance.
Lee indulges that emotional ambiguity, the way the pedal steel can blur the distinction between a frown and a smile.
—
Grayson Haver Currin,
Pitchfork,
20 July 2026
Chris is a freelance journalist who, when not writing, skywatching, playing games or building Lego, indulges his taste for horror, sci-fi and the post-apocalyptic.
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